“Doubles and Doubts in Hitchcock: the German Connection,” Bettina Rosenbladt argues that the Germanic figure of the “doppelganger,” or the “double,” prevails in Hitchcock’s film Shadow of a Doubt (1943). Use precise formal an
In her essay, "Doubles and Doubts in Hitchcock: the German Connection," Bettina Rosenbladt argues that the Germanic figure of the "doppelganger," or the "double," prevails in Hitchcock’s film Shadow of a Doubt (1943). Use precise formal and thematic examples to demonstrate how this is manifested in the film.
This assignment is an exercise in developing critical, observational and analytic skills. It is not a research paper.