Definition of genre
An explication is a close reading of a single poem or passage of poetry. The purpose of this exercise—
originally a staple of French literary training from secondary school onward—is to talk about the
meaning(s) of the poem primarily in terms of how the poem works—that is, through diction, stanza and
line structure, meter, rhythm and imagery. X.J. Kennedy and Dana Gioia explain, “Not intent on ripping a
poem to pieces, the author of a useful explication instead tries to show how each part contributes to the
whole.”1 A good explication requires some basic familiarity with the language of poetry.
An explication can either be an assignment unto itself or part of a larger assignment that asks for broader
analysis and argument. For example, a ten-page paper on imagery of the sea in Derek Walcott’s poetry
might contain explications of four or five poems as evidence for the essay’s claims. An explication on its
own is a set of “microstatements” about the inner workings of the poem, typically giving equal weight to
each word, line and stanza. You’ll still be formulating a strong argument in an explication, but your
primary task is to let the text guide you to that argument rather than to come into the poem with a
Questions to ask
About the poem as a whole
Who is the speaker?
What is the structure of the poem? Two of the most important features to note here are stanza and
Does the poem fall into an identifiable subgenre—for example, is it a sonnet, ballad, haiku, or
What, primarily, is the poem about, and how do you know that?
About specific parts of the poem (stanzas, couplets, lines or even individual words)
Diction (word choice): Why has the poet chosen these particular words? What words might she
have used instead, and why were they rejected in favor of others?
Imagery: What images does the poem evoke? How are they evoked? How has the poet placed
them? How do different images connect or contrast with one another?
Literary devices: What kind of figurative language is the poem using—for example, simile,
metonymy, hyperbole, apostrophe, or conceit? What about symbolism or literary allusions?
Other aural and visual details: What about punctuation? When read aloud, do the sounds of the
words contribute to the poem’s meaning?
X.J. Kennedy and Dana Gioia, An Introduction to Poetry. 10th Ed. New York: Longman, 2002. p. 609.
Duke Writing Studio 2
Actions to take
Read the poem straight through once, then read it a second time with a pencil in hand. Your
explication should follow the structure of the poem itself, starting with the first line and ending
with the last.
Make several general points about the poem’s structure and main purpose before you start
discussing individual lines. This will save you the trouble of repeating yourself as you go through
the text, and help you ensure that your explication is working to relate individual parts of the
poem to the poem as a whole.
Consider three key tasks as you explicate: first, to take the poem apart into its smallest units and
study them on their own terms; second, to talk about how those units relate to each other; third, to
make some connections between these smaller units and the poem in its entirety. You may find it
useful to work on each of these tasks in this order—as a first, second and third draft of your
explication—or it may be easier to put all these different levels of analysis together from the start.
Remember that poetry explication is a focused type of textual analysis, but that doesn’t mean you
don’t have to formulate a thesis. What is the poem doing and how is it doing it? These are the
questions at hand; let your close reading guide you to the answers.
X.J. Kennedy and Dana Gioia. An Introduction to Poetry, 10th Edition. New York: Longman
2002. Includes extensive discussion of the various elements of poetry (chapter titles include
“Words,” “Song,” “Figures of Speech” and “Rhythm”) as well as two chapters about writing a
literary analysis and a glossary of literary terms. Pick this up if you want to look at some sample
The Norton Introduction to Poetry, 8th Edition. J. Paul Hunter, Ed. New York: W.W. Norton,
2002. Another classic resource, which follows a similar format as the Longman; the most
noticeable difference between the two might be the poems they include.
An excellent overview from UNC’s Writing Center of what an explication is and how to approach a poem
with this task in mind; longer and more comprehensive than the Texas site. Includes an explanation of
some key literary terms.
Texas A & M’s useful list of steps to take in reading poetry.
Another useful introduction to how to read a poem analytically, from the University of Wisconsin.
Word meanings change over time: OED is especially useful for early English poetry, but can also be a
good resource for investigating the wide range of possible meanings from which contemporary poets may
be drawing when choosing their diction.